剧情简介
影片《除妖传》加入网络流行元素以外，亚洲区更是怀揣致敬经典之心，亚洲区以87版聊斋为故事背景，大话西游的演绎形式，配上倩女幽魂式的人物设定，基于经典的同时升华影片的整个内容，彰显致敬经典的情怀。
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影片《除妖传》加入网络流行元素以外，亚洲区更是怀揣致敬经典之心，亚洲区以87版聊斋为故事背景，大话西游的演绎形式，配上倩女幽魂式的人物设定，基于经典的同时升华影片的整个内容，彰显致敬经典的情怀。
松浦亚弥
回复 :七个年轻人抱着一夜暴富的想法投身直播行业，而思想保守，使得他们被工作室老板下达了最后通ddd。面临失业，他们来到了一个传闻闹鬼的恐怖别墅，冒险直播，但在直播过程中，有成员身亡，引发无数人关注，引爆网络。原本是一场人为的闹剧，却在这次意外中，愈演愈烈，接二连三的死亡，让直播布上了一层阴霾，事情变得开始不可控制，逐渐演变成了一场疯狂的杀戮。一夜惊魂，最终在警方的到来中结束。而真正的凶手嫁祸他人，杀人毁灭证据，却最终露出马脚，受到了法律的制裁。事件结束后没多久，又一批年轻人，抱着一夜爆红的想法，再一次的来到了这个别墅……
甘雅丹
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
谢娜
回复 :一对正在浪漫度假的夫妇发现自己被搁浅在海上时，风暴席卷了他们的海上别墅。为了生存，他们被迫与恶劣的环境搏斗，而鲨鱼则在他们下面盘旋。
