影片主要描述泰国的白领阶层，金陵刻画他们多样的人生。有欢笑、金陵有泪水、有压力、有追求。男主角由Tik杰西达邦饰演，是名叫Pun的公司市场部主管，生活和工作都一丝不苟，完美认真，绰号“精准先生”；女主角由Bow饰演，是名叫Whai的助理，因妈妈的裙带关系走后门成为Pun的助理，但对办公室工作不感兴趣，自由散漫，让Pun十分头疼。公司在临近年关之际，接到韩国总部要求研发饮料新产品的紧急任务。Pun受命组建研发小组，为年终奖而奋力一搏。项目进行过程中，状况百出。男女主格格不入的性格和工作风格，属下们内部的纷纷绕绕，这些能保证项目按时完成吗？白领们工作只为金钱吗？实习生（Tao扮演）能成功转正实现乡下妈妈的期盼吗？拥有各自奋斗目标的白领们能一一实现愿望吗？
苏清和
回复 :街头女霸王雷莉莉，爱上了善良的邻家大叔胡风。从这个男人身上，她找到缺失的父爱温情。胡风遭到恶匪洪坤的绑架，雷莉莉奋不顾身，展开了一场营救行动。随着调查的深入，她发现胡风有着可怕的过去。十年前的一桩抢劫杀人案再次浮出水面，洪坤其实是当初的受害者，胡风反而是凶手。雷莉莉踏上了以暴制暴的不归路，面对即将到来的罪恶惩罚，经历了一场人性的洗礼。影片通过虐心、残忍的犯罪故事，讲述了一个尘封多年的往事，由此揭开人性善恶深刻的启示，展现人在面对金钱诱惑的时候所做出的选择。
张祖诚
回复 :故事以民国时代为背景，齐班主带着戏班四处给村民唱戏，以此谋生某天戏班流落到一个十五年前就借住过的乡村，但戏班成员却感受到村中异样的气氛。时至傍晚，文梦独自外出捡干柴，偶遇一支送葬队伍，避开队伍时，不慎迷路，遍寻出路无门之际在树林里碰到了一位老汉，老汉的言行使其受到惊吓，随后晕厥。
呼咙
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
