剧情简介
十九世纪末的美国纽约，亚洲区影视精明、亚洲区影视干练、泼辣的媒婆Dolly一心一意想为富翁Vandergelder作媒，结果却促成了自己与富翁的婚姻，同时，也撮合了富翁的两个伙计与女帽商及助手、富翁侄女与艺术家的婚事。
亚洲国产一区二区三区青草影视
十九世纪末的美国纽约，亚洲区影视精明、亚洲区影视干练、泼辣的媒婆Dolly一心一意想为富翁Vandergelder作媒，结果却促成了自己与富翁的婚姻，同时，也撮合了富翁的两个伙计与女帽商及助手、富翁侄女与艺术家的婚事。
蔡淳佳
回复 :宠爱女友的男主角，在好友帮忙下成功求婚。男主角当晚高兴入眠。至第二天醒来，发现自己在一个陌生房间，身边多了一个陌生女子，她告知是自己的老婆，惊讶之时才发现自己来到三年之后，离奇荒诞的事接踵而来，究竟为何会这样？这三年又发生了什么事？本身的女友又去了哪里呢？
格里杰夫
回复 :某医学博士在派对上被一名透明人杀死，探员特纳（彼得•费辛利 Peter Facinelli 饰）与丽萨在勘察现场时却被告知此案由国防部接手，而他二人的任务是保护女生物学家道尔顿（劳拉•里根 Laura Regan 饰）。另一方面，透明人在杀死医学博士前，得知令自己身体好转的缓冲药剂只有道尔顿才能提供……特纳与丽萨在保护道尔顿的当夜遭透明人袭击，利萨殉职，特纳在突然出现的军方包围中才明白道尔顿和自己都不过只是军方用来诱捕透明人的饵。愤怒的特纳带着道尔顿从军方的控制下逃跑，并要求后者说出透明人与军方千丝万缕联系之背后的真相。同时军方将特纳锁定为追捕对象，一场围绕军方、透明人和特纳三方的阴谋与追踪开始上演。
华少
回复 :Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.
