一个美国生物学家偷偷把珍贵的亚马逊银龙鱼带入日本，父女该鱼肚子里被植入了更珍贵的红龙鱼的卵巢。中途龙鱼让某华人团伙盗走，父女生物学家急忙聘请侦探调查，同时警方也介入了事件的追查之中。侦探社的接线生蒲（芳本美代子饰）由于被派往追查龙鱼案件，根据种种线索显示，她来到一个工厂区内，和神秘的养鱼人夏（浅野忠信饰）相遇，对方头发凌乱，和龙鱼相伴，过着单调的生活。空荡荡的仓库里放满鱼缸，整天回荡着瓦格纳的音乐。每次有人来追杀夏，都被他轻易解决。蒲情不自禁对他产生了情愫，但龙鱼的谜团尚未揭开。
黄河
回复 :故事发生在风景宜人的橘子郡，朋友的意外身亡让原本热爱冲浪的肖恩（科林·汉克斯 Colin Hanks 饰）大为震惊，因为在此之前，他的世界中从来不曾出现过这样真实而又痛苦的事情。一次偶然中，肖恩在沙地里挖出了作家马库斯（凯文·克莱恩 Kevin Kline 饰）的小说《整齐的夹克》，这本小说彻底改变了肖恩，他决定放弃冲浪转而成为一名作家。在完成了自己的第一本小说的同时，肖恩凭借着智慧和努力获得了极好的考试成绩，他将小说寄给了马库斯，将申请材料寄往了马库斯所在的斯坦福大学。没想到，一切的努力换来的却是拒绝的回音，原来，学校将错将一名差生的成绩单当做肖恩的成绩单寄给了斯坦福。在仅剩的24小时内，肖恩必须尽自己的一切努力来纠正这个致命的错误。
邓咏家
回复 :奥兰多和萨乌，两名个性迥异的男孩，偶然产生交集。奥兰多充满自信，完全不因身为HIV阳性而自暴自弃；萨乌毫无自信，而且对性一知半解。他们的相遇影响彼此看待人生的方式，性也能是无拘无束的美好接触，而非掠夺侵占的予取予求。
蔡荣祖
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
