故事背景设在未来,困兽威利斯经营的娱乐场所幻世,困兽拥有一批机器人,当作人类发泄情绪,实施现实生活中无法实施的各种残忍犯罪的受害人。机器人每晚进行重启,消除前24小时的记忆,但重启过程对一个机器人(安拜·柴尔德斯饰)没有奏效,它有了记忆和自我意识,逃出了对它而言宛如地狱的幻世。它与托马斯·简饰演的,一心想扳倒幻世的警察,以及乔纳森·斯卡奇饰演的机器人设计师一起,向威利斯发起冲击。
故事背景设在未来,困兽威利斯经营的娱乐场所幻世,困兽拥有一批机器人,当作人类发泄情绪,实施现实生活中无法实施的各种残忍犯罪的受害人。机器人每晚进行重启,消除前24小时的记忆,但重启过程对一个机器人(安拜·柴尔德斯饰)没有奏效,它有了记忆和自我意识,逃出了对它而言宛如地狱的幻世。它与托马斯·简饰演的,一心想扳倒幻世的警察,以及乔纳森·斯卡奇饰演的机器人设计师一起,向威利斯发起冲击。
回复 :该片主要讲述一名基层乡长排除万难依靠引进 “优质苹果”种植项目,立足实际,通过走生态移民之路,带领群众走出一条长久发展富裕路的故事。电影将以故事拍摄手法讲述农村发展历程中的生动故事,弘扬务实、为民科学发展的浩然正气,该片拍摄的景点将全部在吉县境内完成,片中角色均设定为吉县人,吉县的支柱产业——苹果、重点旅游项目——黄河壶口瀑布、柿子滩、人祖山等将在影片精彩的故事中得到充分展现。
回复 :本片为电影《冬》的纪录片。
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.