《我的母亲》是南尼•莫莱蒂的自传体作品，蛯原讲述的是一个女导演在新片杀青及母亲离世前的心理变化。女主角玛格丽塔人至中年，蛯原各种危机接踵而至，感情破裂，女儿不省心，事业陷入僵局，母亲将逝，这一切都让她的内心受到折磨。玛格丽塔在丧母之痛的焦虑与新片拍摄的野心之间不断来回转变，而现实与梦想的差距又让她倍感失落。影片也在混乱的片场与医院之间摆荡，时而插入一些幻想式的场景。当玛格丽塔的电影终于杀青，她的母亲也不幸离世，导演和女儿的双重身份另她陷入了深深的迷惘。
易桀齐
回复 :末世来临，大多数人类变异为僵尸般的怪物。幸存者雷哥的女友多多也发生变异，但他不离不弃。一次雷哥遇险，被乔爷无双父女所救。二人劝他杀掉已非人类的多多，他坚持拒绝，乔双无奈离去，但随即陷入险境。雷哥前去搭救，女友多多却趁机逃脱。雷哥伤心不已，更让人心碎的是，多多随后竟然带领类人部落前来围攻。雷乔双三人尽力拼杀，虽然杀退类人，但雷哥却只能眼睁睁看着女友多多离去。
许玮伦
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
胡力
回复 :Facing immigration issues, a couple must confront fears of rejection or risk losing each other.
