0588午夜福利手机看不卡视频
地区:中国
  类型:韩剧
  时间:2025-04-04 17:57:14
剧情简介

午夜Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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明星主演
阮筱芬
海潮
黛安娜罗丝
最新评论(429+)

曹颖

发表于9分钟前

回复 :花甲『搖滾女王』蒂娜-特娜年末告別歌壇在歌壇活躍數十年、並始終保持最佳狀態的老牌女歌手蒂娜-特娜被譽為娛樂圈的『搖滾女王』。今年年底,這位親歷搖滾樂界四十年風風雨雨的女歌手,將真的和舞臺說再見了。今年12月,蒂娜-特娜將在加州的安那罕舉行告別巡回演唱會的最後一場,正式宣布退出搖滾舞臺,開始享受悠哉的人生。而12月4日CBS電視臺也將為她制作播出特輯,其中包括她的多年的暢銷作品和對告別巡回演唱的回顧。整個巡回演出一共有116場,早早就已賣光入場券。在賭城進行的盛大演出,蒂娜特娜魅力四射,無敵風采令無數青春少女望塵莫及。蒂娜一生都以她活力四射的形象向生命做挑戰,四英寸高的高跟鞋更是她的注冊商標。雖然面對『退休』後的生活,暫時沒有什麼打算,不過她很幽默地表示自己可能有幾年會『徹底自由支配時間』。她的一生充滿傳奇色彩,早年的生活為名利奔忙十分辛苦,而今她在全球四處都有產業,早已是位居娛樂界金字塔的頂端,也正因如此,蒂娜將放下一切,在2001年展開新的人生。2000-12-12 00:00


中尾谕介

发表于9分钟前

回复 :一段相隔两代的武林悲剧,恩情爱情难解难分。导演严俊在《玉面侠》中拍出阵阵悲意,不愧曾是首席文艺小生,演而优则导。大侠章臻(高远)受伤,被爱慕他的长春门大师姐(林嘉)所救。但章臻与婢女月奴(陈依龄)相恋,诞下双胞之后,夫妇被「劳山四怪」所杀。大师姐设下毒计,让章臻好友岚烟抱走女婴,她抱走男婴,训练他找岚烟报仇,好让他们兄妹伤残。岂料,节外生枝,岚烟(谷峰)手抱女婴,被恶人谷抢走,训练她成为了天下最毒的人。十八年后,双胞胎兄妹重聚,掀起江湖风雨、武林悲剧……何莉莉演天下恶人之首萧鹿儿,正中有邪、刚中带柔,高远的大侠华春玉扮相俊朗,二人当年堪称金童玉女最佳配搭。


陈庆祥阿牛

发表于6分钟前

回复 :Sin and Illy have a plan on a Greek island they want to get 'clean' on their own. But the intention of the two girls fails already on the way to the airport. Finally Sin realizes she has to go the way out of heroin addiction all alone.


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