抗战时期，大明电影国民党为扩军打内战，大明电影在四川农村抓壮丁。某师管区负责抓壮丁的卢队长，借机对老百姓敲诈勒索，奸污妇女，无恶不作。地头蛇王保长也贪赃枉法，乘机大发横财。佃农姜国富为使独生子不被抓壮丁，用变卖家产的钱托地主李老栓向王保长求情。谁知李老栓为使自己的二娃子免抓壮丁，竟用姜国富的钱买通王保长将姜的独生子抓去当替身，无依无K的姜国富无处伸冤，被逼自尽。贪得无厌的王保长又侵吞了李老栓大娃子寄给家里的一笔钱，还欺侮李老栓的儿媳妇三嫂子，由此引起一场狗咬狗的争斗。李老栓的大娃子在国民党军队里当上副官后回乡拉队伍，他封官许愿，与卢队长、王保长达成默契，要他们抓更多的壮丁，然后委任卢队长为营长、王保长为连长。受尽欺压的农民终于起来造反，以武装斗争维护自己的生存权。
李菁
回复 :8岁男孩卡卡聪明活泼，是一个顶尖汽车工程师，他在助手兼玩伴丁丁的帮助下，开发出了名为“K系统”的芯片。K系统可实现高智能操作，实现人车对话。第一辆下线的K1开朗爱说，很快和丁丁打成一片。卡卡并不满足，他再接再厉又开发了冷静淡定的K2和堪称接近完美的K3。未过多久，卡卡收 到了“高级智能汽车大赛”的邀请函，他信心满满，决定带着三辆宝贝车参加比赛，为此他专门为三部车定制了严苛的训练计划。比赛一天天临近，这三部个性十足的智能车会取得怎样的成绩？
袁嘉乐
回复 :该片改编自记者盖瑞·韦布的真人事件，他因揭露中情局毒品内幕而被CIA毁了整个生活的故事。
勤琴
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
