人称鬼脚七的刘七（元彪 饰）本是大户人家出身的浪荡子弟，陆战经牙擦苏（午马 饰）引荐，陆战刘七得以加入宝芝林拜黄飞鸿为师，在前往广州拜师的轮船上，刘七见外国人仗势欺人出手教训，因此结识了报馆记者小菱（吕秀菱 饰）。在同一艘船上，刘七昔日的把兄弟沙胆明将鸦片藏在宝芝林药材中逃避检查，其时广州在管带金豹（任世官 饰）等官员治下大力禁烟，华商会长（元华 饰）与沙胆明一伙暗中经营鸦片，官商双方围绕鸦片斗智斗勇，将宝芝林卷入其中。自刘七加入宝芝林以来，众师兄弟感到麻烦不断，虽一再容忍但还是将刘七逐出了宝芝林。刘七满心愤懑，当得悉小菱与金豹是父女关系后，他决定联合金豹，打入华会长一伙，为自己雪耻……
邓丽欣
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
陈宝珠
回复 :9分钟的黑白短片
赵静怡
回复 :一个男人走进个黑暗世界，在陵寝般的门廊与棺材似的房间如梦游者行走。有时，声音细琐如飘溜耳际的空气；有时，它们又排山倒海狂怒袭来。胝人杀人，有人牺牲，神在哪里？什么又是这些人的罪恶与惩罚呢？通过精巧的光影控制，这片赭、褐色的世界，几乎打破黑白与彩色的分界，诗样的、冥想的，强调出亚历山大.苏古诺夫别树一帜的实验风格。厚郁的生命省思，毫无意外众多影评人视他为塔科夫斯基接班人的殷望。《呢喃语页》那个无名的"英雄"，在某些层面，令人联想到塔科夫斯基的《安德烈鲁布烈夫》。汉斯－乔钦史拉格评道：本片缓慢、沈思的步调，意不在动作，而是看不见的"内心演出"，以及可见的《呢喃语页》。其目的是要让观众深刻地思虑"罪与罚"这个永恒的主题，同时也触及生命中的社会、宗教意义。由此来看，这部电影不仅在刻划"十九世纪俄语文学"，更在暗指这个主题和今日俄国的相似性。这是苏古诺夫对他的时代，他的传统，所做的一次联结。
