故事发生在1921年,日韩玛格丽特(凯瑟琳·弗洛 饰)是一位热爱音乐却唱歌走音的女人,日韩她拥有着这一座邻近巴黎的大城堡,也有着一小群观众在城堡里听她歌唱,可这些伪善的观众却在玛格丽特背后偷偷嘲笑她。一位年轻的记者写了一篇关于她表演的文章,玛格丽特深信自己的音乐才能,想要做一次公共演出。根据美国女高音Florence Foster Jenkins的故事改编而成,她因为糟糕的歌唱技巧而在上世纪30-40年代走红。
故事发生在1921年,日韩玛格丽特(凯瑟琳·弗洛 饰)是一位热爱音乐却唱歌走音的女人,日韩她拥有着这一座邻近巴黎的大城堡,也有着一小群观众在城堡里听她歌唱,可这些伪善的观众却在玛格丽特背后偷偷嘲笑她。一位年轻的记者写了一篇关于她表演的文章,玛格丽特深信自己的音乐才能,想要做一次公共演出。根据美国女高音Florence Foster Jenkins的故事改编而成,她因为糟糕的歌唱技巧而在上世纪30-40年代走红。
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
回复 :清朝统治下,清廷对苗族的歧视和压迫尤为严重,军事镇压也甚是严重。经济上,在苗区安设屯田,强夺农民土地;政治上,实行改土归流,设置流官;军事上,建立营汛屯堡。苗人不服,抗暴。清统治历史上发生过三次起义。永绥厅夯岩右营把总赵志龙在苗区爱上了一个苗族姑娘茶花,而他又负责镇压起义的苗人,在这战火纷飞的年代,他的这份爱又该如何表达,他对皇上的军令又该如何执行?
回复 :影片改编自劳伦斯·布洛克1992年出版的同名犯罪小说,尼森饰演的马修·斯卡德(Matthew Scudder)曾是一位纽约警察,如今则是无证行业的私家侦探。纽约发生了一系列针对毒贩妻子的绑架案,受害人均惨遭杀害。斯卡德答应了其中一人(丹·史蒂文斯),以及自己弟弟的要求,在前任同事及一名17岁的街头艺术家帮助下,找出幕后的两名凶手。