唐代中南进士钟馗(罗乐林)入京赴考，亚洲影皇上因其相貌陋丑而未进入榜，亚洲影钟落第，愤而自杀。天帝封其为斩妖除魔圣君，馗还阳后，为报好友杜平(李文彪)殓葬之恩，遂 撮合其妹钟灵(蔡善仪)与平的姻缘。民间有五鬼作乱，馗施法收伏五鬼，并封为鬼王。时杜结识二女鬼，紫云，紫花，对紫花尤其迷恋，二人展开旖旎烂漫的爱情，惜此事被花之主人三魔查悉，遂向花四家压力，花终于在无可选择的情况下，自我了断以结束此段哀怨的感情，此事更间接令钟与三摩展开连番恶斗。同时因钟除妖有名，令另一除妖术士屠秦妒忌不已，屡向钟挑战，屠终为尘浮的名利而断送了性命。外表平凡的张氏夫妇原来乃昔日戚镇魔界的招魂、夺魄，后改邪归正，欲修成正果，此事被三魔查悉，诱其破戒，奸计得逞后，张氏夫妇回复昔日本色，四处为害民间，钟馗两面受敌屡遇险境；毕竟邪不能胜正，钟终能消灭三魔及二妖，完成天降之大任，成为名垂青...
汤潮
回复 :为落实中央指示精神，加快新农村建设，济州市委开展“文化下乡，干部包村”工作，抽调大批优秀党员干部下乡包村。剧团副团长杨玉兰被派往田村包村，她的任务是协助村委开展“提高农民精神文化素质，以富带贫，共同促进，建设和谐平安的新农村”。原村委主任郭劳顺做村妇响八乡的工作时摔得骨折不能工作，他的儿子大富豪郭永谋听说他早年的恋人杨玉兰来家乡包村，把自己的建筑公司转给别人，自己回村竞选当上了“临时主任”。田村经济富裕，但村风欠佳。响八乡迷信泼辣好惹事，崔二街疲游手好闲人称“眼镜王蛇”无人敢惹，梅甘石玩世不恭好事不干坏事有余，郭秋奸邪心底自私，杨玉兰面对富裕村里的诸多“精神穷人”，寻找产生矛盾的原因，治愚治穷，在短时间内引导田村人走上了精神和物资双文明的真正的小康之路。原村委主任郭劳顺做村妇响八乡的工作时摔得骨折不能工作，他的儿子大富豪郭永谋听说他早年的恋人杨玉...
李明依
回复 :一对“家里蹲”90后情侣，女友孙小宝外形优越，收入不菲，追求者无数。男友马大宝外形抱歉，没有稳定职业，内心戏多，时刻觉得女友不爱自己想要分手。好在马大宝烧得一手好菜，把孙小宝喂得服服帖帖。一对关系暧昧办公室上下级，女上司陈芝琳时刻怀疑男下属马小涵想要通过“被潜规则”来寻求上位，却总是因为男下属的小关怀被感动。两对男女间的故事，总是跟“吃”扯上关系……
达坡阿玻
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
